One thought

This morning we went down to a theatre to see a performance of monologues sponsored by Philadelphia Young Playwrights. Taliya Carter, one of our amazing students, had submitted an entry that was selected as a winner along with seventeen others.

There was a power in this performance. One, the willingness, really the courage, of students to grapple with complex, challenging events and emotions was on full display. Their creativity and thoughtfulness was truly amazing.

There was also power in the theatre, in the authenticity of the production, in the fact that this work flowed out of the hard work of high school students but it was staged in such a professional way.

All that to say I got to have this conversation with a student as we walked back to the subway:

“Do you think I could do that?”

That’s why we do this. We want students to see the world and to see a vision of the world and to see if they couldn’t create something themselves. If you’re asking that question of yourself, you’re probably going to be okay. If you’re in a school where kids are asking this question, your school is going in the right direction.

Nodding acquaintance

In 1985 or so, I was standing in a McDonald’s near my high school. While I was waiting for my order, one of my former teachers asked me if I was Michael Clapper. I recognized her. I had been in her class the previous year and had been a, um, troubled, student. Still don’t know why I was struggling and it’s probably a tribute to the class that I can recall what we read — a biography of Lenin, a biography of Ghandi.

Still, after her gentle inquiry about how I was doing I’m pretty sure I said something like “I’ve got it figured out.” I know that she said something like “I’m glad you’ve got it figured out.”

About a week ago I was sitting with a student. I was trying to point out a series of not-so-great decisions. I was trying to gently explain there’s no on-off switch in real life. I was trying to express my worry for next year — will she be able to survive in a setting where there aren’t lots of adults looking out for her?

She said something like “I got this. Really, I got this.”

***
Joan Didion, On Keeping a Notebook

I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not.

Me at sixteen. Sigh. I wish I really had figured it out. I hadn’t. But I remember that part of me well enough not to browbeat my student, to pause, to nod, to say “I hope you got it.”

And there’s a kind of bittersweet feeling, to know that all I can do is try and keep the faith in this student, in the opportunities we’ve provided, the experiences we’ve created, the advice we’ve offered, the community we’ve tried to make with her, alongside of her, and sometimes just near her.

One of the great parts of our model is that we spend so much time with students that each of them glows with potential. You’ve had the chance to see them in so many different spaces and under so many different conditions that you can feel how alive they all are with possibility.

Defending your work

Defending your work

Bit of a teacher jackpot this week: it’s the week before spring break and the first week of fourth quarter. The energy is all over the place. There’s some funny things being said: “I’m going glamping during spring break… that’s glamourous camping.” There’s some residual restlessness as the year draws to an end and seniors start coming to terms with their imminent departure.

So I’m trying to frame this week as defend your work week:

One, you have to defend, with evidence, your choice for next year. Are you going to continue to take college classes, pursue an internship, or work in the shop?

Two, you have to defend, with evidence, your goals for your fourth quarter self-designed project. What shows that this project is viable for a fourth quarter completion?

Three, we’re doing a combined investigative journalism and playwriting unit for fourth quarter. You will have to be able to defend your chosen story, be it the Phillies victory or a spate of overdoses, as worthy of exploration and of a play.

I like the idea of defending your work as the kids get it quickly. In a project-based school you have to be able to explain why you’re doing what you’re doing. The kids understand challenging each other on the relevance of their projects and most of the time they’re able to challenge in a respectful way.

The problem with the idea of defending your work is that it relies on students actually engaging in the defense; you can’t defend something you don’t care about. Similarly, if you don’t care about the process (or the outcome) then defending your work will be a hard road. I also have to tread carefully with making sure that kids understand that you’re not defending this to the death; that the goal is to go through a rigorous process that allows your work to improve.

Anyway, it’s the best way I could think of to frame a crazy week from the school calendar.