Inspired by Heather Cox Richardson, I’m trying to keep track of my classes over on Substack.
MR had turned me onto this book many years ago. These frames capture much of the noise in my mind and are also why I exercise.
Here’s a poem I found as I read “This Side of Paradise” for the first time during this plague. While I hated Amory as much as I’ve hated any character, this poem reminded me of being young, of having infinite potential, and of knowing exactly how full of shit we all can be. Now, as an old guy, I smile at the poem, remembering what it meant to dream in this way, knowing that I’ll still have to find a way to get up in the morning, feed my kids, and scratch out some little art of my own.
It once might have been, once only:
We lodged in a street together,
You, a sparrow on the housetop lonely,
I, a lone she-bird of his feather.
Your trade was with sticks and clay,
You thumbed, thrust, patted and polished,
Then laughed “They will see some day
Smith made, and Gibson demolished.”
My business was song, song, song;
I chirped, cheeped, trilled and twittered,
“Kate Brown’s on the boards ere long,
And Grisi’s existence embittered!”
I earned no more by a warble
Than you by a sketch in plaster;
You wanted a piece of marble,
I needed a music-master.
We studied hard in our styles,
Chipped each at a crust like Hindoos,
For air looked out on the tiles,
For fun watched each other’s windows.
You lounged, like a boy of the South,
Cap and blouse—nay, a bit of beard too;
Or you got it, rubbing your mouth
With fingers the clay adhered to.
And I—soon managed to find
Weak points in the flower-fence facing,
Was forced to put up a blind
And be safe in my corset-lacing.
No harm! It was not my fault
If you never turned your eye’s tail up
As I shook upon E in alt,
Or ran the chromatic scale up:
For spring bade the sparrows pair,
And the boys and girls gave guesses,
And stalls in our street looked rare
With bulrush and watercresses.
Why did not you pinch a flower
In a pellet of clay and fling it?
Why did not I put a power
Of thanks in a look, or sing it?
I did look, sharp as a lynx,
(And yet the memory rankles,)
When models arrived, some minx
Tripped up-stairs, she and her ankles.
But I think I gave you as good!
“That foreign fellow,—who can know
How she pays, in a playful mood,
For his tuning her that piano?”
Could you say so, and never say
“Suppose we join hands and fortunes,
And I fetch her from over the way,
Her, piano, and long tunes and short tunes?”
No, no: you would not be rash,
Nor I rasher and something over:
You’ve to settle yet Gibson’s hash,
And Grisi yet lives in clover.
But you meet the Prince at the Board,
I’m queen myself at bals-paré,
I’ve married a rich old lord,
And you’re dubbed knight and an R.A.
Each life unfulfilled, you see;
It hangs still, patchy and scrappy:
We have not sighed deep, laughed free,
Starved, feasted, despaired,—been happy.
And nobody calls you a dunce,
And people suppose me clever:
This could but have happened once,
And we missed it, lost it for ever.