Damn Critics

I know how this works. Hua Hsu is that good at his job. First I read the article. I’ll be fascinated by the poet, by their work, by the way they describe their work. I’ll track down the first couple of books, get them from the library, and sit down to read.

And it will all go right over my head. I won’t understand the poems at all. Just not smart enough.

Still, the closing quote is as good a description of what I’m trying to do as a teacher as I’ve read:

“You go out and you look in the sky. We live in this act of creation that is unfathomable and overwhelming. The intricacy, beauty, fearsomeness,” he said. “We push back by becoming active, becoming producers, and putting our little pieces of creativity down next to it. It’s this idea, I can do something, too.

But every now and then, when the flow’s not coming, you gotta get up from your couch or the desk, you gotta go out on the porch, look up at the sky and enjoy the humility of just taking in this obviously superior and more complex creativity. What we do could never match that. Could I ever write a poem as intricate as a pinecone? Wallace Stevens has got nothin’ on this.”  (Nathaniel Mackey)

Three articles

This opening piece from the magazine on social media contains this perfect description:

Late in January, I logged into Twitter only to see that an account I followed had decided to talk about racism. This is a not-uncommon experience for social media: Check to see what your friends are doing or look at cute dogs, and it’s not long before you’re digesting a near-stranger’s analysis of contemporary social issues.

The twist, of course, is that the account is managed by O.J. Simpson.

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I’ll use this article with my photography unit in U.S. History. The essay by Celeste NG is superb.

This book review describes a book that I’ll have to read. These passages:

On average, one child is shot every hour; over the past decade roughly 30,000 children and teenagers have been killed by gunfire — recently eclipsing cancer as their second-leading cause of death. (Unintentional injuries, such as those caused by burns, falls or drowning, are the leading cause.)

These numbers suggest the scale of the physical, mortal toll inflicted, but they cannot account for the psychic price paid by kids who live in the dark, long shadows of the aftermath of such violence: those who lose a friend or relative to gunfire; who witness gun deaths at close quarters at a vulnerable age; whose lives, and life chances, are shaped by a premature brush with mortality. And since such children were not struck by a bullet, they are not counted and, at least in any official sense, do not count.

Cox, John Woodrow. Children Under Fire: An American Crisis, (__: Ecco, 2021).

The Human STain

“…how easily life can be one thing rather than another and how accidentally a destiny is made…on the other hand, how accidental fate may seem when things can never turn out other than they do.”

(As I read the third round of Gatsby essays, this time on the American Dream, and feel the same ideas bubbling up, many of which flow directly from a google search of “Gatsby American Dream” or “Gatsby Opportunity”, I’m wondering if next year if I shape the essays as a response to quotes like this. ).

Roth, Philip. The Human Stain.(Boston: Houghton Mifflin Harcourt, 2000), pp.125-126.

Great Line on introductions

What the reader wants to know is not what you plan to say but where you stand. They need some assurance that your point of view promises fresh illumination. They listen to your tone of voice, which conveys your intentions more quickly and clearly than a summary outline of the forthcoming composition. A vigorous introduction, therefore, will seek to establish not so much the subject matter to be addressed as the author’s way of addressing it. It will announce or at least prefigure the argument the author plans to pursue.

Lasch, Christopher. Plain Style: A Guide to Written English. Edited by Stewart Weaver. Philadelphia: University of Pennsylvania Press, 2002.

Classroom verbs

If I were running PD, I might try this activity. First step: make a list of all the verbs that describe what’s happening in your classroom. Then try to cluster them together.

Second step: Now do it for zoom school. It’s much harder to come up with actions and much easier to come up with descriptions. (The other option would be to run and make copies and then cross out the verbs that aren’t happening in zoom school.).

Third step: Knowing that everyone is utterly exhausted and frustrated, what are three concrete things could you do to bring the verbs from the first drawing to your Zoom class?

With my advisory, or even one of my classes, I’d love to see both student versions of this, i.e., sleeping, watching (TV), Tiktok’ing, surrendering/giving up, screaming (at the technology).